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What I’ve learned: Negative expectations and latent resentments foil creativity and make working an ordeal.

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Graceless expectations…

“Expectations are resentments under construction,” wrote Bay Area author Anne Lamott. There is much wisdom in her statement, but for most of us it takes a lifetime to learn. Or unlearn. It boils down to this: Every time we enter into a conversation, meeting or transaction we bring with us a set of expectations. When positive expectations are unmet or negative ones confirmed the interaction falters.

Face it. We all have expectations about how other people should behave. These prejudices create barriers between the people holding onto them. Invariably, the interaction is crippled before it begins. In politics, we see this all the time: with each party assuming how the other will behave and acting accordingly.

In dysfunctional families, each member has drop-dead certainty how the other sibling will behave, shaping all intercourse. Dad believes his son will be a defensive contrarian. The son expects his father will be an inflexible brute. And so on. Every fruit on the family tree is spoiled this way.

What does this look like in business, and in particular Adland? Well, I’ll tell you. And once you recognize it you’ll see how commonplace and destructive these forces can be.

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Unlike this “stock” argument, in real life usually things just fester…

Jack in an Associate Creative Director. Jill is a Senior Account Executive. Jack and Jill have some history. They’ve worked on a few projects together. Perhaps not all of them went smoothly. And even if they did, both individuals quickly developed a read on one another, and now base all interactions upon it. To an extent, this is normal and healthy. Yet, in the crucible of business it quickly becomes a defect and sometimes a serious one. If Jack expects Jill to only see his work through fearful and conservative eyes, he will soon dread showing it to her. Why bother, right? She’s only going to throw shade…like she always does.

Jill is no innocent, either. However reasonable she fancies herself, Jill expects Jack will be defensive and obstinate. A typical creative. Ergo, she enters into every meeting with Jack bracing for a fight.

You know where this is going. It becomes a self-fulfilling prophecy. Both parties have expectations (fomenting into resentments) and, as soon as they spot anything confirming said expectations, they lock into patterned behaviors, souring the meeting and insuring the next interaction will be even worse.

In some ways, having locked-in negative expectations is no different than racial profiling. Though obviously less despicable, the office variety is still quite destructive. Especially in front of creativity. Looking at new ideas, let alone brave and unusual ones, is deeply difficult when everyone involved has negative expectations about the other. These prejudices can become so ingrained they close minds, hindering the ability to appreciate creative. Often, the room divides into fronts, inducing an unstable even volatile climate. Debates become rife with arguments ad homonym. The creative product is ruined in the deluge.

The solution is obvious but not easy. Against our own defective natures, we must let go these leaden bags of expectations, lest they crush our ideas and us.

Yes, I’ve written about this before. But it’s is a real problem that’s not talked about enough. Reviewing creative in a suitable environment is critical. As is being reasonably happy and content at work.



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